Subjectivity : Filmic Representation and the Spectator's Experience.
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| Main Author: | |
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| Format: | eBook |
| Language: | English |
| Published: |
Amsterdam :
Amsterdam University Press,
2012.
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| Edition: | 1st ed. |
| Series: | The Key Debates: Mutations and Appropriations in European Film Studies
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| Subjects: | |
| Online Access: | Click to View |
Table of Contents:
- Cover
- Contents
- Editorial
- Acknowledgments
- Introduction: Rethinking Subjectivity inFilm
- Dominique Chateau
- PART I: From Mind to Film,from Film to Mind
- The Cinema as Art of the Mind:Hugo Münsterberg, First Theorist ofSubjectivity in Film
- José Moure
- The Representation of Experience inCinema
- Gregory Currie
- Beyond Subjectivity: The FilmExperience
- Francesco Casetti
- PART II: Ways of Expressing Subjectivity
- The Man Who Wasn't There: The Productionof Subjectivity in Delmer Daves'Dark Passage
- Vivian Sobchack
- From Aesthetic Experience to the Lossof Identity, in Three Steps
- Pere Salabert
- Robert Bresson and the Voices of anInner World: "I" Can Never Be "You," orthe Impossible Identification
- Céline Scemama
- The Silence of the Lenses: Blow Up andthe Subject of Photography
- Pierre Taminiaux
- PART III: Subjectivity and the Epistemology of FilmStudies
- Beyond Subjectivity. Bakhtin'sDialogism and the Moving Image
- Karl Sierek
- Imaginary Subject
- Jacinto Lageira
- A Philosophical Approach to Subjectivityin Film Form
- Dominique Chateau
- PART IV: Conversation Subjectivity in ArtisticCoupling
- Conversation with Maria Klonaris and Katerina Thomadaki
- Dissident Subjectivities: The Filmmakers as a Double Subject
- Marina Gržinić
- Notes
- General Bibliography
- Notes on Contributors
- Index of Names
- Index of Film Titles
- Index of Subjects.