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20231204023231.0 |
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231204s2012 xx o ||||0 eng d |
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|a 9789048514205
|q (electronic bk.)
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|z 9789089643179
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|a (MiAaPQ)EBC30750076
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|a (Au-PeEL)EBL30750076
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|a (OCoLC)1399168927
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|a MiAaPQ
|b eng
|e rda
|e pn
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|a PN1993-1999
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|a Chateau, Dominique.
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|a Subjectivity :
|b Filmic Representation and the Spectator's Experience.
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|a 1st ed.
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|a Amsterdam :
|b Amsterdam University Press,
|c 2012.
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|c ©2011.
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|a 1 online resource (275 pages)
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|a text
|b txt
|2 rdacontent
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|a online resource
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|a The Key Debates: Mutations and Appropriations in European Film Studies
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|a Cover -- Contents -- Editorial -- Acknowledgments -- Introduction: Rethinking Subjectivity inFilm -- Dominique Chateau -- PART I: From Mind to Film,from Film to Mind -- The Cinema as Art of the Mind:Hugo Münsterberg, First Theorist ofSubjectivity in Film -- José Moure -- The Representation of Experience inCinema -- Gregory Currie -- Beyond Subjectivity: The FilmExperience -- Francesco Casetti -- PART II: Ways of Expressing Subjectivity -- The Man Who Wasn't There: The Productionof Subjectivity in Delmer Daves'Dark Passage -- Vivian Sobchack -- From Aesthetic Experience to the Lossof Identity, in Three Steps -- Pere Salabert -- Robert Bresson and the Voices of anInner World: "I" Can Never Be "You," orthe Impossible Identification -- Céline Scemama -- The Silence of the Lenses: Blow Up andthe Subject of Photography -- Pierre Taminiaux -- PART III: Subjectivity and the Epistemology of FilmStudies -- Beyond Subjectivity. Bakhtin'sDialogism and the Moving Image -- Karl Sierek -- Imaginary Subject -- Jacinto Lageira -- A Philosophical Approach to Subjectivityin Film Form -- Dominique Chateau -- PART IV: Conversation Subjectivity in ArtisticCoupling -- Conversation with Maria Klonaris and Katerina Thomadaki -- Dissident Subjectivities: The Filmmakers as a Double Subject -- Marina Gržinić -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subjects.
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|a NOW 60 % PRICE REDUCTION.
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|a Description based on publisher supplied metadata and other sources.
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|a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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|a Electronic books.
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|i Print version:
|a Chateau, Dominique
|t Subjectivity
|d Amsterdam : Amsterdam University Press,c2012
|z 9789089643179
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797 |
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|a ProQuest (Firm)
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|a The Key Debates: Mutations and Appropriations in European Film Studies
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|u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=30750076
|z Click to View
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