Subjectivity : Filmic Representation and the Spectator's Experience.

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Bibliographic Details
Main Author: Chateau, Dominique.
Format: eBook
Language:English
Published: Amsterdam : Amsterdam University Press, 2012.
Edition:1st ed.
Series:The Key Debates: Mutations and Appropriations in European Film Studies
Subjects:
Online Access:Click to View
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100 1 |a Chateau, Dominique. 
245 1 0 |a Subjectivity :  |b Filmic Representation and the Spectator's Experience. 
250 |a 1st ed. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c 2012. 
264 4 |c ©2011. 
300 |a 1 online resource (275 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a The Key Debates: Mutations and Appropriations in European Film Studies 
505 0 |a Cover -- Contents -- Editorial -- Acknowledgments -- Introduction: Rethinking Subjectivity inFilm -- Dominique Chateau -- PART I: From Mind to Film,from Film to Mind -- The Cinema as Art of the Mind:Hugo Münsterberg, First Theorist ofSubjectivity in Film -- José Moure -- The Representation of Experience inCinema -- Gregory Currie -- Beyond Subjectivity: The FilmExperience -- Francesco Casetti -- PART II: Ways of Expressing Subjectivity -- The Man Who Wasn't There: The Productionof Subjectivity in Delmer Daves'Dark Passage -- Vivian Sobchack -- From Aesthetic Experience to the Lossof Identity, in Three Steps -- Pere Salabert -- Robert Bresson and the Voices of anInner World: "I" Can Never Be "You," orthe Impossible Identification -- Céline Scemama -- The Silence of the Lenses: Blow Up andthe Subject of Photography -- Pierre Taminiaux -- PART III: Subjectivity and the Epistemology of FilmStudies -- Beyond Subjectivity. Bakhtin'sDialogism and the Moving Image -- Karl Sierek -- Imaginary Subject -- Jacinto Lageira -- A Philosophical Approach to Subjectivityin Film Form -- Dominique Chateau -- PART IV: Conversation Subjectivity in ArtisticCoupling -- Conversation with Maria Klonaris and Katerina Thomadaki -- Dissident Subjectivities: The Filmmakers as a Double Subject -- Marina Gržinić -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subjects. 
520 |a NOW 60 % PRICE REDUCTION. 
588 |a Description based on publisher supplied metadata and other sources. 
590 |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.  
655 4 |a Electronic books. 
776 0 8 |i Print version:  |a Chateau, Dominique  |t Subjectivity  |d Amsterdam : Amsterdam University Press,c2012  |z 9789089643179 
797 2 |a ProQuest (Firm) 
830 4 |a The Key Debates: Mutations and Appropriations in European Film Studies 
856 4 0 |u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=30750076  |z Click to View