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|a 9781644691137
|q (electronic bk.)
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|z 9781618118363
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|a (MiAaPQ)EBC6871064
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|a (Au-PeEL)EBL6871064
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|a (OCoLC)1281546061
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|a 791.430233092
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|a Coëgnarts, Maarten.
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|a Film As Embodied Art :
|b Bodily Meaning in the Cinema of Stanley Kubrick.
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|a 1st ed.
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|a Boston, MA :
|b Academic Studies Press,
|c 2019.
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|c {copy}2019.
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|a 1 online resource (311 pages)
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|a text
|b txt
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|a online resource
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|a Front Cover -- Half-Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction The Theoretical Context of This Study -- Chapter 1 Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2 Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3 Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4 Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5 Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Back Cover.
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|a Film as Embodied Art reveals Stanley Kubrick as a genuine master of the art of embodying themental life of characters, a filmmaker who perhaps more than any otherdirector, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodiedconditions necessary to achieve a level of conceptual depth.
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|a Description based on publisher supplied metadata and other sources.
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|a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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|a Electronic books.
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|i Print version:
|a Coëgnarts, Maarten
|t Film As Embodied Art
|d Boston, MA : Academic Studies Press,c2019
|z 9781618118363
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| 797 |
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|a ProQuest (Firm)
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| 856 |
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|u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=6871064
|z Click to View
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