|
|
|
|
LEADER |
02912nam a22003853i 4500 |
001 |
EBC6734878 |
003 |
MiAaPQ |
005 |
20231204023218.0 |
006 |
m o d | |
007 |
cr cnu|||||||| |
008 |
231204s2021 xx o ||||0 eng d |
020 |
|
|
|a 9781800858626
|q (electronic bk.)
|
020 |
|
|
|z 9781800859517
|
035 |
|
|
|a (MiAaPQ)EBC6734878
|
035 |
|
|
|a (Au-PeEL)EBL6734878
|
035 |
|
|
|a (OCoLC)1249445535
|
040 |
|
|
|a MiAaPQ
|b eng
|e rda
|e pn
|c MiAaPQ
|d MiAaPQ
|
082 |
0 |
|
|a 792.0941835
|
100 |
1 |
|
|a Corporaal, Marguérite.
|
245 |
1 |
2 |
|a A Stage of Emancipation :
|b Change and Progress at the Dublin Gate Theatre.
|
250 |
|
|
|a 1st ed.
|
264 |
|
1 |
|a Liverpool :
|b Liverpool University Press,
|c 2021.
|
264 |
|
4 |
|c {copy}2021.
|
300 |
|
|
|a 1 online resource (248 pages)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a Cover -- Contents -- Acknowledgements -- List of Illustrations -- List of Contributors -- 1. Introduction: A Stage of Emancipation -- Part I: Liberating Bodies -- 2. Queering the Irish Actress: The Gate Theatre Production of Children in Uniform (1934) -- 3. Maura Laverty at the Gate: Theatre as Social Commentary in 1950s Ireland -- Part II: Emancipating Communities -- 4. 'Let's Be Gay, While We May': Artistic Platforms and the Construction of Queer Communities in Mary Manning's Youth's the Season-? -- 5. Images and Imperatives: Robert Collis's Marrowbone Lane (1939) at the Gate as Theatre for Social Change -- 6. Authenticity and Social Change on the Stage in the 1970s: 'Communicating with the People' -- Part III: Staging Minority Languages -- 7. Micheál mac Liammóir, the Irish Language, and the Idea of Freedom -- 8. The Use of Minority Languages at Dublin's Gate Theatre and Barcelona's Teatre Lliure -- Part IV: Deconstructing Aesthetics -- 9. Mogu and the Unicorn: Frederick May's Music for the Gate Theatre -- 10. Tartan Transpositions: Materialising Europe, Ireland, and Scotland in the Designs of Molly MacEwen -- Part V: Contesting Traditions in Contemporary Theatre -- 11. From White Othello to Black Hamlet: A History of Race and Representation at the Gate Theatre -- 12. Bending the Plots: Selina Cartmell's Gate and Politics of Gender Inclusion -- Index.
|
588 |
|
|
|a Description based on publisher supplied metadata and other sources.
|
590 |
|
|
|a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
|
655 |
|
4 |
|a Electronic books.
|
700 |
1 |
|
|a Ruud, Ruud van.
|
776 |
0 |
8 |
|i Print version:
|a Corporaal, Marguérite
|t A Stage of Emancipation
|d Liverpool : Liverpool University Press,c2021
|z 9781800859517
|
797 |
2 |
|
|a ProQuest (Firm)
|
856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=6734878
|z Click to View
|