|
|
|
|
| LEADER |
03537nam a22004093i 4500 |
| 001 |
EBC6637631 |
| 003 |
MiAaPQ |
| 005 |
20231204023217.0 |
| 006 |
m o d | |
| 007 |
cr cnu|||||||| |
| 008 |
231204s2019 xx o ||||0 eng d |
| 020 |
|
|
|a 9789048535538
|q (electronic bk.)
|
| 035 |
|
|
|a (MiAaPQ)EBC6637631
|
| 035 |
|
|
|a (Au-PeEL)EBL6637631
|
| 035 |
|
|
|a (OCoLC)1124678462
|
| 040 |
|
|
|a MiAaPQ
|b eng
|e rda
|e pn
|c MiAaPQ
|d MiAaPQ
|
| 100 |
1 |
|
|a Kloet, Jeroen.
|
| 245 |
1 |
0 |
|a Boredom, Shanzhai, and Digitisation in the Time of Creative China.
|
| 250 |
|
|
|a 1st ed.
|
| 264 |
|
1 |
|a Amsterdam :
|b Amsterdam University Press,
|c 2019.
|
| 264 |
|
4 |
|c Ã2019.
|
| 300 |
|
|
|a 1 online resource (320 pages)
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Asian Visual Cultures Ser. ;
|v v.4
|
| 505 |
0 |
|
|a Intro -- Table of Contents -- Acknowledgments -- I. Introduction: We Must Create? -- II. 'Creative China' and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity -- Essays -- 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective -- 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge -- Interlocuting -- 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism -- 1.4 Boredom and Creativity in the Era of Accelerated Living -- Notes from the Field -- 1.5 Evaporating Ennui Water Calligraphy in Beijing -- 1.6 Male Cinderella on the Small Screen in mainland China -- In Dialogue -- 1.7 'Performativity' in the Age of Banality -- Essays -- 2.1 New Productive Culture Shanzhai or Second Degree of Creation? -- 2.2 Creative 'Shanzhai Labour'? Leung Mee-ping's 'Made in Hong Kong/Shenzhen' -- 2.3 Maoism and Disruptive Creativity Shanzhai - an Alternative Perspective -- Interlocuting -- 2.4 'Isn't that funny?' The Unsettling Effect of Shanzhai Products -- 2.5 Shanzhai = Creativity, Creativity = Shanzhai -- Notes from the Field -- 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education -- 2.7 'Banal Creativity' What Does It Mean to Be Creative for Hunan TV Practitioners? -- In Dialogue -- 2.8 Two sides of SZ (Shanzhai & -- amp -- Shenzhen) -- Essay -- 3.1 Creativity, Affordances, and Chinese Traditional Culture -- Interlocuting -- 3.2 Digital Payment, Vernacular Creativity, and Governmentality -- 3.3 Shopping 'Natural' and 'Local' food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products -- Notes from the Field -- 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails -- 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016.
|
| 505 |
8 |
|
|a In Dialogue -- 3.6 Digitisation with (in/out) Borders -- Index.
|
| 588 |
|
|
|a Description based on publisher supplied metadata and other sources.
|
| 590 |
|
|
|a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
|
| 655 |
|
4 |
|a Electronic books.
|
| 700 |
1 |
|
|a Chow, Yiu Fai.
|
| 700 |
1 |
|
|a Scheen, Lena.
|
| 776 |
0 |
8 |
|i Print version:
|a Kloet, Jeroen
|t Boredom, Shanzhai, and Digitisation in the Time of Creative China
|d Amsterdam : Amsterdam University Press,c2019
|
| 797 |
2 |
|
|a ProQuest (Firm)
|
| 830 |
|
0 |
|a Asian Visual Cultures Ser.
|
| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=6637631
|z Click to View
|
