3D Recording and Interpretation for Maritime Archaeology.
Main Author: | |
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Other Authors: | , , |
Format: | eBook |
Language: | English |
Published: |
Cham :
Springer International Publishing AG,
2019.
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Edition: | 1st ed. |
Series: | Coastal Research Library
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Subjects: | |
Online Access: | Click to View |
Table of Contents:
- Intro
- Foreword
- Acknowledgements
- Contents
- 1: The Rise of 3D in Maritime Archaeology
- 1.1 Background
- 1.2 The Importance of 3D for Maritime Archaeology
- 1.3 Photogrammetry
- 1.4 Beyond Survey
- 1.5 Future Directions
- 1.6 Standards
- 1.7 Conclusions
- References
- 2: Camera Calibration Techniques for Accurate Measurement Underwater
- 2.1 Introduction
- 2.1.1 Historical Context
- 2.1.2 Modern Systems and Applications
- 2.1.3 Calibration and Accuracy
- 2.2 Calibration Approaches
- 2.2.1 Physical Correction
- 2.2.2 Target Field Calibration
- 2.3 Calibration Algorithms
- 2.3.1 Calibration Parameters
- 2.3.2 Absorption of Refraction Effects
- 2.3.3 Geometric Correction of Refraction Effects
- 2.3.4 Relative Orientation
- 2.4 Calibration Reliability and Stability
- 2.4.1 Reliability Factors
- 2.4.2 Stability Factors
- 2.5 Calibration and Validation Results
- 2.5.1 Quality Indicators
- 2.5.2 Validation Techniques
- 2.5.3 Validation Results
- 2.6 Conclusions
- References
- 3: Legacy Data in 3D: The Cape Andreas Survey (1969-1970) and Santo António de Tanná Expeditions (1978-1979)
- 3.1 Introduction
- 3.2 Cape Andreas Expeditions
- 3.2.1 Wreck Sites with Ceramics
- 3.2.2 Anchor Sites and Individual Anchors
- 3.2.3 Reworking the Legacy Survey Data
- 3.2.4 Reworking the Legacy Photographic Data
- 3.2.5 Agisoft PhotoScan/Metashape
- 3.3 The Santo António de Tanná Shipwreck
- 3.3.1 Profile Recording
- 3.3.2 Trilateration Survey
- 3.3.3 Photographic Recording
- 3.3.4 Agisoft PhotoScan/Metashape
- 3.4 Conclusions
- References
- 4: Systematic Photogrammetric Recording of the Gnalić Shipwreck Hull Remains and Artefacts
- 4.1 Introduction
- 4.2 The Shipwreck of Gnalić
- 4.2.1 History of Research
- 4.2.2 The Ship
- 4.2.2.1 Historical Documents.
- 4.2.2.2 Archaeological Sources
- 4.3 Systematic Photogrammetric Recording of Site and Finds
- 4.3.1 Trial Campaign 2012
- 4.3.2 Research Campaign 2013
- 4.3.2.1 Control Points and Multi-image Coverage of the Site
- 4.3.2.2 Image Processing, 3D Model, and Orthophoto Generation
- 4.3.2.3 GIS Analysis
- 4.3.3 Research Campaign 2014
- 4.3.3.1 Local Coordinate System
- 4.3.3.2 Composite Models
- 4.3.3.3 GIS Analysis
- 4.3.3.4 Points-Based Deviation Analysis
- 4.3.4 Research Campaigns 2015 and 2016
- 4.3.5 Mapping the Area of Archaeological Interest in 2017
- 4.4 Timber and Artefact Recording
- 4.5 Virtual Reality Application
- 4.6 Automation of the Underwater Recording Process
- 4.7 Conclusions
- References
- 5: Underwater Photogrammetric Recording at the Site of Anfeh, Lebanon
- 5.1 Introduction
- 5.1.1 Context of the Research
- 5.1.2 Recorded Archaeological Cultural Heritage at Anfeh
- 5.1.3 Methodology
- 5.2 Underwater Photography
- 5.2.1 Equipment
- 5.2.2 Data Collection
- 5.2.2.1 Data Collection with CanonG15
- 5.2.2.2 Data Collection with Canon EOS 70D
- 5.2.2.3 Data Collection with Sony DSC-RX100
- 5.2.3 Image processing
- 5.3 Multi-image Photogrammetry
- 5.3.1 Orthophotos
- 5.3.2 Export Adobe 3D PDFs
- 5.4 Archaeological Survey Results
- 5.4.1 Isolated Anchors
- 5.4.2 The Groups of Anchors
- 5.4.3 The Isolated Masonry Blocks
- 5.4.4 The Masonry Blocks in Groups
- 5.4.4.1 The North-Eastern Group
- 5.4.4.2 The North-Western Group
- 5.4.4.3 The South-Eastern Group
- 5.5 Accuracy
- 5.5.1 Accuracy of Georeferencing of the Survey
- 5.5.2 Accuracy of the Photogrammetric Survey
- 5.6 Challenges
- 5.7 Discussion and Conclusions
- References.
- 6: Using Digital Visualization of Archival Sources to Enhance Archaeological Interpretation of the 'Life History' of Ships: The Case Study of HMCS/HMAS Protector
- 6.1 Introduction
- 6.2 Iconography and Maritime Archaeology
- 6.3 A Means for Interpretation: 3D Modelling of Archival Images
- 6.4 The Challenge of Digitally Modelling Archival Imagery
- 6.5 A Partial Solution
- 6.6 A Better Solution
- 6.7 Applying 3D Archival Imagery to Interpret Protector's 'Life History'
- 6.8 Discussion and Conclusions
- References
- 7: The Conservation and Management of Historic Vessels and the Utilization of 3D Data for Information Modelling
- 7.1 Introduction
- 7.2 Historic Vessel Conservation Management Practice
- 7.3 3D Survey for Historic Vessels
- 7.4 The Concept of Building Information Modelling (BIM)
- 7.5 Use of BIM in the Heritage Sector
- 7.6 HMS Victory (1765) and Information Modelling: A Case Study
- 7.7 Development of the VIM
- 7.8 Future Development of the VIM
- 7.9 Lessons from the VIM
- 7.10 Discussion
- 7.11 Conclusions
- References
- 8: A Procedural Approach to Computer-Aided Modelling in Nautical Archaeology
- 8.1 Introduction
- 8.2 Computer-Aided Modelling in Archaeology
- 8.3 Computer-Based Modelling in Archaeology
- 8.4 Computer Models
- 8.5 Procedural Modelling
- 8.6 Methodology
- 8.7 Approach
- 8.8 Hull Components Description
- 8.9 Conclusions and Future Work
- References
- 9: Deepwater Archaeological Survey: An Interdisciplinary and Complex Process
- 9.1 Introduction
- 9.1.1 The Archaeological Context
- 9.2 Underwater Survey by Photogrammetry
- 9.3 The Use of Ontologies
- 9.3.1 In Underwater Archaeology
- 9.3.2 Application in Nautical Archaeology
- 9.4 Artefact Recognition: The Use of Deep Learning
- 9.4.1 The Overall Process Using a Deep Learning Approach.
- 9.4.2 The Proposed Convolution Neural Network
- 9.4.3 Classification Results
- 9.5 2D Representation: From Orthophoto to Metric Sketch
- 9.5.1 Style Transfer to Sketch the Orthophoto
- 9.5.2 From 3D Models to NPR: Non-photorealistic Rendering
- 9.6 Virtual Reality for the General Public
- 9.7 New 3D Technologies: The Plenoptic Approach
- 9.8 Conclusions
- References
- 10: Quantifying Depth of Burial and Composition of Shallow Buried Archaeological Material: Integrated Sub-bottom Profiling and 3D Survey Approaches
- 10.1 Introduction
- 10.2 Non-invasive Geophysical Measurements
- 10.3 Parametric SBP Surveys
- 10.3.1 In Situ Experimental Burial Survey
- 10.3.2 James Matthews Comparative In Situ Surveys
- 10.4 Results and Discussion
- 10.4.1 In Situ Experimental Burial Survey
- 10.4.2 James Matthews Comparative In Situ Wreck-Site Surveys
- 10.5 Future Surveys and Analyses
- 10.6 Conclusions
- References
- 11: Resolving Dimensions: A Comparison Between ERT Imaging and 3D Modelling of the Barge Crowie, South Australia
- 11.1 Introduction
- 11.2 Crowie's History, Context, Significance and Construction
- 11.2.1 History and Context
- 11.2.2 Significance
- 11.2.3 Construction
- 11.3 Geophysical Modelling
- 11.3.1 Electrical Resistivity Tomography (ERT)
- 11.3.2 Data Acquisition and Modelling
- 11.3.3 Data Processing and Results
- 11.4 Visual Model
- 11.5 Discussion
- 11.6 Conclusions
- References
- 12: HMS Falmouth: 3D Visualization of a First World War Shipwreck
- 12.1 Introduction
- 12.2 Background
- 12.3 Origins of the 3D Visualization of HMS Falmouth
- 12.4 Data Acquisition and Processing of the Ship Model
- 12.5 Publication of the 3D Visualization
- 12.6 Development Potential of 3D Visualization for Further Research and Public Engagement
- 12.7 Conclusions
- References.
- 13: Beacon Virtua: A Virtual Reality Simulation Detailing the Recent and Shipwreck History of Beacon Island, Western Australia
- 13.1 Introduction
- 13.2 Simulation
- 13.2.1 Guided Tour
- 13.2.2 Technical Features
- 13.2.2.1 Island and Ocean
- 13.2.2.2 Buildings and Jetties
- 13.2.2.3 Graves and Coral Features
- 13.2.2.4 360° Photo Bubbles
- 13.2.2.5 Information Panels
- 13.2.2.6 Text Menu
- 13.2.2.7 Audio
- 13.2.2.8 Birds
- 13.2.2.9 Batavia Marker
- 13.3 Target Platforms
- 13.3.1 Desktop
- 13.3.2 WebGL
- 13.3.2.1 Head Mounted Displays
- 13.3.2.2 Large-Scale Immersive Displays
- 13.3.2.3 Exhibition Version
- 13.3.2.4 Videos
- 13.4 Multiple Target Platforms
- 13.5 Navigation
- 13.6 Dynamic Text
- 13.7 3D User Interface
- 13.8 Discussion
- 13.9 Future Work and Conclusions
- References
- 14: Integrating Aerial and Underwater Data for Archaeology: Digital Maritime Landscapes in 3D
- 14.1 Introduction
- 14.2 Maritime Archaeological Theory and Integrated Cultural Landscapes
- 14.3 Aerial Archaeology
- 14.4 Technical Challenges: Shallow Water and Intertidal Zones
- 14.5 Underwater Photogrammetry
- 14.6 Digital Maritime Landscapes in 3D: Case Studies
- 14.6.1 The Intertidal Zone
- 14.6.2 Nearshore Historic Shipwrecks
- 14.6.3 Deep Time and the Integrated Maritime Landscape
- 14.7 3D GIS
- 14.8 Digital 'Realities'
- 14.9 Conclusions
- References
- Index.