Performing Citizenship : Bodies, Agencies, Limitations.
| Main Author: | |
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| Other Authors: | , , , , |
| Format: | eBook |
| Language: | English |
| Published: |
Cham :
Springer International Publishing AG,
2019.
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| Edition: | 1st ed. |
| Series: | Performance Philosophy Series
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| Subjects: | |
| Online Access: | Click to View |
Table of Contents:
- Intro
- Performing Citizenship
- Preface
- Contents
- List of Figures
- Introduction
- Performing Citizenship: Testing New Forms of Togetherness
- Citizenship Redefined and Reinvented
- Doing Things, with Rights: Citizenship as Performance
- Artistic Practice and Knowledge Production
- About This Volume
- References
- Part I: Bodies of Citizenship
- Yet Another Effort, Citizens, If You Want to Learn How to React!
- Citizens Who Do Not Want to React
- Citizens Who Had to React Attack Citizens Who Did Not
- Self-Indulgent Citizens Who React Because They Have Practiced Reacting
- An Elephant in the Room / On the Balcony: Performing the 'Welcome City' Hamburg
- Epilogue
- References
- Doing Rights with Things: The Art of Becoming Citizens
- Performativity, Performance, Enactment
- What Is Called Citizenship?
- Doing Rights with Things
- The Art of Becoming Citizens
- References
- Performing Citizenship: Gathering (in the) Movement
- Introduction
- Gathering in the Movement
- Circle Dancing in the Political Context
- 'If I Can't Dance, I Don't Want to Be Part of Your Revolution': Change and New Temporalities
- Circle Dancing and the Round Dance as Choreographic Formats
- Circle Dancing as Staged Social Order
- Affection and Turmoil: Contact in Circle Dancing
- References
- On Bodies and the Need to Appropriate Them
- The Fitness Industry
- Plastic Surgery
- The Pharmaceutical Industry
- The Use of Apps
- Paul Beatrix Preciado: Testo Junkie
- Leonardo Selvaggio URME
- Antje Velsinger The Bodies We Are
- References
- Part II: Citizenship and (Urban) Space
- Silence, Motifs and Echoes: Acts of Listening in Postcolonial Hamburg
- The Artistic Research Project www.how-to-hear-the-invisible.org
- Motifs
- Silence
- Echo
- City and Commemoration as Acoustic Territories.
- Listening to the Urban Space as a Political Practice
- Acts of Listening and Politics of Sound
- Acoustic Remembrance and Performative History Writing
- References
- Weblinks
- Claims for the Future: Indigenous Rights, Housing Rights, Land Rights, Women's Rights
- Vancouver's 125th Anniversary
- The Downtown Eastside Women's Centre and the Audain Gallery
- Claims for the Future
- Conclusion
- References
- Spaces of Citizenship
- Introduction
- Citizenship
- Space
- Spaces of Citizenship
- Final Remarks
- References
- Urban Citizenship: Spaces for Enacting Rights
- The metroZones School for Urban Action
- The Demonstration 'Never Mind the Papers'
- Spaces and Strategies of Engagement
- Urban Citizenship Enacted
- References
- A Space of Performing Citizenship: The Gängeviertel in Hamburg
- History, Materiality and Characteristics
- Claims, Conflicts and Citizenship
- Successes and Public Relations
- Practices of Performing Citizenship
- Place, Stage and Scene
- A Space of Performing Citizenship
- References
- Part III: Citizenship and (Non-)Performance: Premises/Critique/Speculations
- Performance as Delegation: Citizenship in 'Lloyd's Assemblage'
- Performance as Delegation
- Lloyd's Assemblage
- References
- (Re)Labelling: Mimicry, Between Identification and Subjectivation
- Marthurine, le fou: The Emancipation of a Female Jester
- Mimicry as a Fool's Game
- Carnival al Lajiin_Al-Lajiàat: Contemporary Practices of Mimicry
- Conclusion
- References
- Paralogistics: On People, Things and Oceans
- A first report
- What is hydrarchy today?
- The logistical turn
- The beach of Badagry
- The shippings of the shipped
- Hamburg Port Hydrarchy and the African Terminal
- Loose Ends
- Epilogue: Searching for Alternative Supply Chains
- Epilogue
- References
- Phyto-Performance and the Lost Gardens of Riga.
- References
- Of Mice and Masks: How Performing Citizenship Worked for a Thousand Years in the Venetian Republic and Why the Age of Enlightenment Brought it to an Abrupt End
- Introduction
- Office Rotation and the Distribution of Power
- How to Avoid Corruption When Everyone Is Corruptible?
- Participation and Exclusion Within the Doge's Palace
- The Venetian bautà: A Social Mask and Its Multiple Functions
- Why the Patrician Republic and the Police State Were Mutually Dependent in Venice
- The System of Overlapping Competences
- References
- Part IV: Emerging Agencies
- Perform, Citizen! On the Resource of Visibility in Performative Practice Between Invitation and Imperative
- Citizens Become Apparent and Perform
- The Promise of Cultural Education: Become Visible and Participate!
- Biographic Theatre and the Visibility of the Individual
- Visibility, Power Relations and Postmigrant Society
- Visibility as a Dramaturgic Junction
- Who Is Performing? How to Play with the Visibility of a Social Constellation on Stage
- References
- Practices of Politicizing Listening (to Migration)
- Childish Citizenship
- References
- I Do. From Instruction to Agency: Designing of Vocational Orientation Through Artistic Practice
- Working Citizen. The Longing for Agency in Current Vocational Orientation
- Performing Work
- The Concept of a Working Citizen
- The Longing for Agency in Current Vocational Orientation
- Agency
- How Artistic Instructions May Lead to Agency: The Project Internship Report
- Instruction-Based Art: Permission and Scope for Action
- Yoko Ono, Cut Piece
- Opening Up Scope for Action Within Institutions
- The Licence for 'Doing Things Differently'
- Two Different Kinds of Artistic Instructions
- Testing the Working Environment-Instructions with a Predetermined Micro Practice.
- Shaping the Working Environment: Instructions with Self-Created Activities
- References
- Index.