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MiAaPQ |
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20231204023222.0 |
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231204s2022 xx o ||||0 eng d |
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|a 9781438488059
|q (electronic bk.)
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|z 9781438488035
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|a (MiAaPQ)EBC6940978
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|a (Au-PeEL)EBL6940978
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|a (OCoLC)1294398971
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|a MiAaPQ
|b eng
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|c MiAaPQ
|d MiAaPQ
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|a 791.43652997072
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|a García Blizzard, Mónica.
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|a The White Indians of Mexican Cinema :
|b Racial Masquerade Throughout the Golden Age.
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|a 1st ed.
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|a Albany :
|b State University of New York Press,
|c 2022.
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|c {copy}2022.
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|a 1 online resource (328 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a SUNY Series in Latin American Cinema Series
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|a Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- The Persistent Privilege of Whiteness in Mexico -- Indigenista Visual Production and Cultural Anxiety -- Contextualizing Race and Gender On-screen -- Colonizing Desire -- Colonizing Subjectivity -- Whiteness, Melodrama, and Hegemony -- The White Indians of Mexican Cinema -- Chapter 1 Idealized Pre-Columbian Womanhood -- Zítari (1931) -- Chilam Balam (1957) -- Conclusion -- Chapter 2 Taming the Tehuana -- Nineteenthand Early Twentieth-Century Representations of the Tehuana in Mexico -- La Zandunga (1938) -- Tierra de pasiones (1943) -- Conclusion -- Chapter 3 Revolutionary Politics, Colonized Aesthetics -- La india bonita (1938) -- El indio (1939) -- María Candelaria (1944) -- Maclovia (1948) -- Looking Beyond Industrial Representation: Janitzio (1935) and "La potranca" (Raíces, 1955) as Counterexamples -- Conclusion -- Chapter 4 Reframing Mestizaje: White Mayans, Indigenous Spirituality, and Cenote Suicides -- La noche de los mayas (1939) -- Deseada (1951) -- Conclusion -- Chapter 5 María Isabel: A White Indita for Modern Mexico -- María Isabel (1967) -- El amor de María Isabel (1970) -- Conclusion -- Chapter 6 Indios, Desire, and the White Mexican Woman -- Tribu (1935) -- Lola Casanova (1949) -- Tizoc (Amor indio) (1957) -- El violetero (1960) -- Beyond the Golden Age -- Conclusion -- Conclusion -- Bibliography -- Index.
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|a Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico.
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|a Description based on publisher supplied metadata and other sources.
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|a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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|a Electronic books.
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|i Print version:
|a García Blizzard, Mónica
|t The White Indians of Mexican Cinema
|d Albany : State University of New York Press,c2022
|z 9781438488035
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| 797 |
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|a ProQuest (Firm)
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| 830 |
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|a SUNY Series in Latin American Cinema Series
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| 856 |
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|u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=6940978
|z Click to View
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