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|a 9783319140902
|q (electronic bk.)
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|z 9783319140896
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|a (MiAaPQ)EBC6422795
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|a (Au-PeEL)EBL6422795
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|a (OCoLC)1231610994
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|a B829.5.A-Z
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|a 142.7
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|a Bundgaard, Peer F.
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|a Investigations into the Phenomenology and the Ontology of the Work of Art :
|b What Are Artworks and How Do We Experience Them?
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|a 1st ed.
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| 264 |
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|a Cham :
|b Springer International Publishing AG,
|c 2015.
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|c ©2015.
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| 300 |
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|a 1 online resource (261 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
1 |
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|a Contributions to Phenomenology Series ;
|v v.81
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| 505 |
0 |
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|a Intro -- Contents -- Introduction -- References -- Temporal Aspects of Literary Reading -- 1 Introduction -- 2 No Habituation -- 3 Intentionality Deferred -- 4 Thwarting of Prototypical Feeling -- 5 Bodily Alertness Underlies Representation -- 6 Animacy of Events and Objects -- 7 Sequence Issues -- References -- Memory and Mental States in the Appreciation of Literature -- 1 Introduction -- 2 Literary Studies -- 3 Evidence on Memory for Text -- 4 Text Processing in Context -- 5 Evidence on Mind Wandering and Engagement -- 5.1 Method -- 5.2 Results -- 5.3 Discussion -- 6 Conclusions -- References -- Temporal Conflict in the Reading Experience -- 1 Introduction -- 2 Presentation of Literary Artworks and the Reader's Temporal Perspective -- 3 Temporal Perspective in Memory -- 4 Temporal Perspective in Literature -- 5 Temporal Conflict in the Reading Experience: The Example of the Pseudo-Iterative -- 5.1 Flaubert's Éternel Imparfait -- 5.2 Kafka's Eternal Present -- 6 Conclusion -- References -- The Aesthetic Experience with Visual Art "At First Glance" -- 1 The Painting Gist -- 2 Early Investigations of the Nature of the Painting Gist -- 3 Pre-attentive Detection of the Collative Properties of Paintings -- 4 Pictorial Balance-A Perceptual Primitive -- 5 Meaningfulness Is Detectable in Painting Gist Perception -- 6 Categorization of a Painting's Content and Style at First Glance -- 7 Perceptual Processing of Paintings Across the Time-Course of an Aesthetic Experience -- 8 Conclusions -- References -- What Is a Surface? In the Real World? And Pictures? -- 1 Real Surfaces -- 2 Information and Surfaces -- 3 The Surface in the History of Perception Science -- 4 Perception and Elevation and Azimuth -- 5 Perception's Biases and Far Surfaces -- 6 Theories of Biases -- 7 Bias on a Picture Surface -- 8 Conclusion -- References.
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| 505 |
8 |
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|a The Idiosyncrasy of Beauty: Aesthetic Universals and the Diversity of Taste -- 1 Aesthetic Universals: Some Initial Issues -- 2 Three Meanings of "Beauty" -- 3 Aesthetic Response and Idiosyncrasy (I): Pattern Recognition and Endogenous Reward -- 4 Aesthetic Response and Idiosyncrasy (II): Prototype Approximation and Attachment -- 5 Conclusion -- References -- Why We Are Not All Novelists -- 1 Two Experiments from Stanford -- 2 The Phenomenology of Multiple Realities -- 3 Delusions -- 4 Delusion as an Alternative Reality -- 5 Welcome to the Hotel California -- 6 Why Everyone Is Not a Novelist -- References -- Aesthetic Relationship, Cognition, and the Pleasures of Art -- 1 Aesthetic Experience: A Preliminary Definition -- 2 The Artist and the Connoisseur -- 3 Aesthetic Attention -- 4 The Hedonic Component -- 5 Some Concluding Remarks -- References -- More Seeing-in: Surface Seeing, Design Seeing, and Meaning Seeing in Pictures -- 1 Preamble -- 2 The Strata of Artwork and Their Perceptual Correlates -- 2.1 Surface and Surface Seeing -- 2.2 Design and Design Seeing -- 2.3 Seeing-in and Design, Seeing-in and Surface -- 2.4 Seeing Something in Walls and Seeing Something in Paintings -- 2.4.1 Seeing-in and Awareness of the Depicting Surface -- 2.5 Surface Perception and Design Perception -- 2.6 Surface as Material Support vs. Surface as a Depicting Plane -- 2.7 Object Awareness -- 3 Multiply Depicting Design and Semiotic Design -- 3.1 Design That Depicts Multiple Objects -- 3.2 Design as a Platform for Meaning-Making -- 4 Conclusion -- References -- Depiction -- References -- Green War Banners in Central Copenhagen: A Recent Political Struggle Over Interpretation-And Some Implications for Art Interpretation as Such -- References -- The Appropriation of the Work of Art as a Semiotic Act -- 1 Two Methodological (or Epistemological) Preconditions.
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|a 1.1 The Appropriation of Statements as a Semiotic Practice -- 1.2 Genetic Aesthetics and Instituted Aesthetics -- 2 The Functional Space of the Work -- 2.1 Focusing the Attention -- 2.1.1 Sensory Contrasts and Barysemy -- 2.1.2 Expectations and Semiotization -- 2.2 Artifacts -- 2.2.1 A General Theory of the Index -- 2.2.2 Index and Appropriation -- 2.3 Contextualization -- 2.4 Stylistic and Rhetoric of the Indexation -- 3 Strategies of Positioning: Four Configurations -- 4 Appropriation and Catasemiosis -- 5 Conclusion: From Semiotics to Aesthetics? -- References -- Sculpture, Diagram, and Language in the Artwork of Joseph Beuys -- 1 Introduction -- 2 Context and Development of Beuys' Artwork -- 3 Materials and Techniques in Beuys' Artwork -- 4 Visual Artwork and Language -- 5 Language as a Topic in His Visual Art -- 6 Diagrammatic Style in Beuys' Political Art -- 7 Beuys' Diagrams and Peirce's Theory of Diagrams -- 8 The Aesthetic "Value" of Beuys' Art -- 9 Conclusion -- References -- Internet Sources with Actions and Discussions -- Index.
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| 588 |
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|a Description based on publisher supplied metadata and other sources.
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| 590 |
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|a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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| 655 |
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4 |
|a Electronic books.
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| 700 |
1 |
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|a Stjernfelt, Frederik.
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| 776 |
0 |
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|i Print version:
|a Bundgaard, Peer F.
|t Investigations into the Phenomenology and the Ontology of the Work of Art
|d Cham : Springer International Publishing AG,c2015
|z 9783319140896
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| 797 |
2 |
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|a ProQuest (Firm)
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| 830 |
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|a Contributions to Phenomenology Series
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| 856 |
4 |
0 |
|u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=6422795
|z Click to View
|
