Beyond Media Borders, Volume 1 : Intermedial Relations among Multimodal Media.
| Main Author: | |
|---|---|
| Format: | eBook |
| Language: | English |
| Published: |
Cham :
Springer International Publishing AG,
2020.
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| Edition: | 1st ed. |
| Subjects: | |
| Online Access: | Click to View |
Table of Contents:
- Beyond Media Borders, Volume 1
- Foreword: Mediations of Method
- Preface
- Acknowledgements
- About the Book
- Contents
- List of Figures
- List of Tables
- Notes on Contributors
- Part I: The Model
- Chapter 1: The Modalities of Media II: An Expanded Model for Understanding Intermedial Relations
- 1.1 What Is the Problem?
- 1.2 What Are Media Products and Communicating Minds?
- 1.2.1 A Medium-Centred Model of Communication
- 1.2.2 Media Products
- 1.2.3 Elaborating the Communication Model
- 1.2.4 Communicating Minds
- 1.3 What Is a Technical Medium of Display?
- 1.3.1 Media Products and Technical Media of Display
- 1.3.2 Mediation and Representation
- 1.4 What Are Media Modalities, Modality Modes and Multimodality?
- 1.4.1 Multimodality and Intermediality
- 1.4.2 Media Modalities and Modes
- 1.5 What Are Media Types?
- 1.5.1 Basic and Qualified Media Types
- 1.5.2 The Contextual and Operational Qualifying Aspects
- 1.5.3 Technical Media of Display, Basic Media Types and Qualified Media Types
- 1.6 What Are Media Borders and Intermediality?
- 1.6.1 Identifying and Construing Media Borders
- 1.6.2 Crossing Media Borders
- 1.6.3 Intermediality in a Narrow and a Broad Sense
- 1.7 What Are Media Integration, Media Transformation and Media Translation?
- 1.7.1 Heteromediality and Transmediality
- 1.7.2 Media Integration
- 1.7.3 Media Transformation
- 1.7.4 Media Translation
- 1.8 What Is the Conclusion?
- References
- Part II: Media Integration
- Chapter 2: A Recalibration of Theatre's Hypermediality
- 2.1 Introduction
- 2.2 Recalibration
- 2.3 Hypermedium and Hypermediacy
- 2.4 Temporality and Sensoriality
- 2.5 Signification and Participation
- 2.6 Angles of Mediation and Exclusivity
- 2.7 Architecture of Commerce
- 2.8 Conclusion
- References
- Chapter 3: Multimodal Acting and Performing.
- 3.1 Modes, Modalities and the Actor as a Medium
- 3.2 On Analysing Acts of Performance (in a Multimodal Situation)
- 3.3 Modes and Modalities of Performance
- 3.3.1 The Favourite (2018)
- 3.3.2 ear for eye (2018)
- 3.3.3 Black Mirror-'Rachel, Jack and Ashley Too' (2019)
- 3.3.4 Sanctuary (2017)
- 3.4 Towards a Multimodal Performance Analysis
- References
- Chapter 4: Electronic Screens in Film Diegesis: Modality Modes and Qualifying Aspects of a Formation Enhanced by the Post-digital Era
- 4.1 Screens and Frameworks
- 4.2 Diegetic Electronic Screens as "Basic Media Types"
- 4.2.1 Changes in the Material, the Sensorial and the Spatiotemporal Modality Modes of Diegetic Electronic Screens
- 4.2.2 Diegetic Electronic Screens on the Verge of the Presemiotic and the Semiotic Modalities
- Decor Screens
- Diegetic Screens
- Metadiegetic Screens
- 4.3 The Qualifying Aspects of Electronic Screens
- 4.4 The Intermedial Processes at Work in the Examined Filmic Sequences
- References
- Chapter 5: Truthfulness and Affect via Digital Mediation in Audiovisual Storytelling
- 5.1 Introduction
- 5.2 Perennial Paradox: Achieving Affective and Truthful Impacts
- 5.3 Tackling the Paradox via Semiotic Approach to Narrative Functions
- 5.3.1 Multi-leveled, Semiotic Approach to Narrative Functions
- 5.3.2 Media Frames, Human Memory, and Truthfulness
- 5.3.3 Distinguishing Embodied and Contemplative Affects
- 5.3.4 Forms of Digital Mediation in Film and Affective Engagement
- 5.4 Final Remarks
- References
- Chapter 6: Reading Audiobooks
- 6.1 Introduction
- 6.2 The Formats of the Audiobook
- 6.3 Do We Read an Audiobook?
- 6.4 Narrative and Themes in Ned til hundene by Helle Helle
- 6.5 Technological Framework
- 6.6 Reading Situations
- 6.7 The Voice
- 6.8 The Aspects of Experience in Reading an Audiobook: Time and Depth
- 6.9 Conclusion.
- References
- Chapter 7: Language in Digital Motion: From ABCs to Intermediality and Why This Matters for Language Learning
- 7.1 Introduction
- 7.2 Language and Literacy
- 7.2.1 The Literate Bias of Education
- 7.2.2 Mobile Language Learning
- 7.3 The Expanding Borders of Language in Digital Communication
- 7.3.1 DIY Language Norms and Conventions
- 7.3.2 Language in Mobile Digital Context
- 7.4 Theorizing Multimodal Communication: Two Views
- 7.5 Modality, Mode, and Media in Digital Communication
- 7.5.1 Emoji
- 7.5.2 Conversational AI
- Language from Whose [sic] Perspective: The Complex Materiality of AI Communication
- 7.6 Conclusion: From ABCs to Intermediality
- References
- Index.