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|a 9783030024819
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|a (MiAaPQ)EBC5693491
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|a (Au-PeEL)EBL5693491
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|a (OCoLC)1088921186
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|a HM1206-1211
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|a 306.484249
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|a Vito, Christopher.
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|a The Values of Independent Hip-Hop in the Post-Golden Era :
|b Hip-Hop's Rebels.
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|a 1st ed.
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|a Cham :
|b Springer International Publishing AG,
|c 2019.
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|c Ã2019.
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|a 1 online resource (190 pages)
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|a text
|b txt
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|a Intro -- Preface -- Acknowledgements -- Contents -- List of Figures -- List of Tables -- Chapter 1 Introduction -- Abstract -- Overview of Research -- Theoretical Framework -- Relations of Domination and Culture -- Oppositional Consciousness and Social Movement Activism -- Previous Research on the History of Hip-Hop Culture -- Politics of Hip-Hop Culture -- The Fall of the Golden Era -- Resistance from the Underground -- The Role of Race and Gender in Hip-Hop -- Racial Inequality and the Perpetuation of Racial Stereotypes -- What Is "Real" Hip-Hop? -- Another Claim at Authenticity via Glocalization -- Is It an All-Male World? -- Oppositional Consciousness -- The Message in the Music and the Formation of Oppositional Consciousness -- What Can the Message Do for You? -- Hip-Hop Activism -- The Future of Hip-Hop? -- Data and Methodology -- Content Analysis of Independent Hip-Hop Lyrics -- Interviews with Independent Hip-Hop Listeners -- Overview of Major Findings -- References -- Chapter 2 Just Say No to the Majors: Independent Hip-Hop Culture -- Abstract -- Resistance to the "Majors" -- Resistance to Mainstream Artists Who "Sell Out" -- Resistance to Major Radio Stations -- Rejection of Interactions with Record Labels -- Fighting Back Against the Majors -- Creation of Independent Labels and Culture -- Rejection and Rebellion Against the Majors -- Independent Hip-Hop as an Alternative Culture -- For the "Love" of the Music Regardless of Money -- "Keeping It Real" -- Conclusion -- References -- Chapter 3 Just Say No to 360s: Hip-Hop's Claim of Economic Exploitation -- Abstract -- The "Takeover" Part I: Independent Artists Claim Exploitation by the Majors -- The Beginnings: Major Labels Corporatize Hip-Hop and Its Music -- Major Label Contracts: A Site of Economic Exploitation -- Artist Development Contracts -- 360 Degree Contracts.
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|a The "Takeover" Part II: How Major Record Labels Reached Every Corner of the Industry -- Advances and Forwards -- Control of Copyright -- Artistic Direction and Relations with A& -- R -- Touring, Merchandise, and Advertising Deals -- Radio/Media Outlets and Press -- The Resistance: An Age Old Story Made New for Hip-Hop -- The Cycle of the Indies -- The Changing Nature of the Industry -- The Resistance: An Economic and Political Message? -- Conclusion -- References -- Chapter 4 The Death of Indie Hip-Hop?: The Blurry Lines Between the Majors and Independent Hip-Hop -- Abstract -- Perceived Distinctions Between the Majors and Independent Hip-Hop -- Record Label Matters? -- What's Behind the Label? -- What Is "Real" Hip-Hop? -- What's Race, Class, and Gender Got to Do with It? -- The Blurry Lines Between the Mainstream and Indies -- Mixed Space Between the Majors and Indies -- The Changing Nature of Hip-Hop's Indie Movement -- Conclusion -- References -- Chapter 5 Conclusions and Implications -- Abstract -- Important Implications -- Research Implications -- Implications for the Hip-Hop Community -- Future Research -- References -- Appendix A -- Appendix B -- Appendix C -- References -- Index.
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|a Description based on publisher supplied metadata and other sources.
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|a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
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|a Electronic books.
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|i Print version:
|a Vito, Christopher
|t The Values of Independent Hip-Hop in the Post-Golden Era
|d Cham : Springer International Publishing AG,c2019
|z 9783030024802
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| 797 |
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|a ProQuest (Firm)
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| 856 |
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|u https://ebookcentral.proquest.com/lib/matrademy/detail.action?docID=5693491
|z Click to View
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